Reflecting on 2023, as the year draws to a close, how has it been for all of you? It’s likely that riders from around the world have cycled through various locations this year. To wrap up the year, the Global Ride editorial team is bringing you a photo album from three international events: ‘BIKE NEW YORK (FIVE BORO BIKE TOUR)’ in New York City, ‘PORT DOUGLAS GRAN FOND FESTIVAL’ in Port Douglas, and ‘HONOLULU CENTURY RIDE’ in Honolulu. Enjoy the exclusive shots captured by our editorial team, different from the official photos!

Recently, there’s been an interest in natural wine*. It surprisingly shares a connection with bicycles, which is often noticeable on its labels. This column will delve into the world of natural wine related to cycling, featuring insights from various buyers and importers. Starting off, Mizue Kawamura from ‘WINES&THINGS’ in Naka-Meguro, Tokyo, will share their expertise. Stay tuned for irregular installments that coincide with new arrivals!

Despite being an Italian film from about 30 years ago, a collaboration with France, ‘Cinema Paradiso’ (1988, directed by Giuseppe Tornatore) remains a highly popular and influential movie, telling the story of a projectionist and a young boy.

During my youth, I was captivated by a music style known as Neo-Acoustic, which emerged in the 1980s in Britain as a fruit of post-punk to new wave, influenced by jazz, soul, bossa nova, and Latin, characterized by delicate acoustic pop. It’s been my impression that many record jackets in this style feature motifs of bicycles. Surprisingly, Brazilian music seems to have numerous tracks revolving around bicycles. This month, among them, I’d like to introduce Alulu Paranhos’ ‘Bicicletinha,’ a tune that might appeal to Neo-Acoustic enthusiasts.

When I was traveling through Hokkaido by train, there was a peculiar announcement. It warned us to be careful because the name of the next station had changed for a drama shoot. The atmosphere in the train buzzed with excitement. It was a popular drama set in Furano, Hokkaido. The train arrived at the station, but we passed what seemed to be the film crew. Then, in the corner of the platform, I saw a tall man. Even though he had a hat pulled down low, I immediately recognized him as Ken Takakura. Perhaps he had come to visit the filming location of an old friend (Kunie Tanaka). Acknowledging our gaze, Ken-san shyly raised his hand in greeting. It was an overwhelming coolness. Since then, although not from the same generation, I started watching films starring Ken Takakura.

Sudden events led me to participate in the Honolulu Century Ride (HCR) in Hawaii, which takes place in September. I brought my road bike with me, and this is my first experience riding abroad. So far, I’ve written about the bike transportation from Japan and my initial impressions upon arriving in Hawaii. Now, let’s dive into the exciting part – my first ride in Hawaii!

Ever since this column started, when I listen to music, I somehow become conscious of cycling jackets, music videos related to bicycles, titles, and lyrics related to cycling. But when I thought of this song, I was delighted. It’s Georgie Fame’s beloved groovy tune “Happiness.” This song is from the 1971 masterpiece album “Going Home” is known to those in the know, and on the back cover, you can see Georgie Fame wrapped in a boa leather blouson, riding a bicycle.

What kind of impression comes to your mind when you hear about Hawaii? I’ve disliked it for as long as I can remember. I thought it was a place where celebrities go to frolic, where people ride banana boats and make a lot of noise, and it was filled with “ignorance-based prejudice.” I’ve never been a fan of glitzy things. I originally studied literature, and I’m actually quite introverted. I thought I’d never go there in my life. However, life is unpredictable. I was invited to participate in the Honolulu Century Ride for an article on this website. At 54 years old, I unexpectedly found myself embarking on my first trip to Hawaii. When I wrote on Facebook […]