Monthly column “CYCLE MUSIC” where essays on bicycles and music are written every time. This time, let’s introduce a song called “Bicycle” by the renowned guitarist Dominic Miller. Born in Argentina to an American father and an Irish mother, Dominic Miller has long been hailed by the media as a “great and gentle storyteller.” Based in London for many years, he now resides in the South of France. However, he is perhaps best known for his illustrious career as Sting’s right-hand man. Sting has praised him as a “colourful architect of sound,” while Paul Simon, with whom he has also collaborated, has lauded his guitar playing as “ […]

The monthly column “CYCLE MUSIC” delves into various aspects of cycling-related songs, including jackets and music videos. This month, let’s introduce The Smiths’ “This Charming Man,” which starts with the lyrics “Punctured Bicycle.”

For a certain generation, Wim Wenders is a special figure. During the era when art-house cinemas had a significant cultural impact, his films were considered “must-see movies.” Following the success of “Paris, Texas” (1985) and “Wings of Desire” (1987), Wenders’ works such as “The Goalie’s Anxiety at the Penalty Kick,” “Alice in the Cities,” and “Kings of the Road” were repeatedly re-released. While not necessarily fervent, Wenders’ films were quietly embraced. The influence he has had on contemporary filmmakers and visual artists is immeasurable (film students in Japan were only making road movies in the narrow confines).

It’s been a year since the passing of Burt Bacharach, the iconic composer of the 20th century. His art of songwriting, characterized by sophisticated yet beautiful melodies and vibrant, stylish arrangements that make full use of “Bacharach Magic” chord progressions and rhythm changes, along with bold and elegant structures, continues to captivate people’s hearts worldwide. His witty and imaginative compositions, combined with urban and deeply resonant lyrics (especially those of Hal David), create a timeless marriage that still resonates with people around the world, transcending generations.

Director Takeshi Kitano’s works are often associated with yakuza films, perhaps due to the influence of movies like “Violent Cop” and “OUTRAGE.” However, looking at his lineup, it’s evident that he has produced a variety of styles, including “A Scene at the Sea,” “Kikujiro no Natsu,” and “Zatoichi,” amidst his violent works. Director Takeshi Kitano, along with comedian Beat Takeshi, is capable of portraying both tranquility and dynamism, representing two extremes. Among his diverse range of works, “Kids Return” (1996), which focuses on boxing, stands out as a unique piece. Depending on the viewer, generation, and background, the interpretation of the main themes, such as sports films, youth dramas, comedies, tragedies, and yakuza films, can vary significantly.

Happy New Year! To kick off 2024 with the first ‘CYCLE MUSIC,’ let’s introduce a song by a Japanese artist that represents a cornerstone of my life as a music lover, which is fitting for the start of a new year. It’s ‘Angelina’ by Motoharu Sano, a song that marked the beginning of the 1980s and my youth.

Despite being an Italian film from about 30 years ago, a collaboration with France, ‘Cinema Paradiso’ (1988, directed by Giuseppe Tornatore) remains a highly popular and influential movie, telling the story of a projectionist and a young boy.

During my youth, I was captivated by a music style known as Neo-Acoustic, which emerged in the 1980s in Britain as a fruit of post-punk to new wave, influenced by jazz, soul, bossa nova, and Latin, characterized by delicate acoustic pop. It’s been my impression that many record jackets in this style feature motifs of bicycles. Surprisingly, Brazilian music seems to have numerous tracks revolving around bicycles. This month, among them, I’d like to introduce Alulu Paranhos’ ‘Bicicletinha,’ a tune that might appeal to Neo-Acoustic enthusiasts.