CYCLE MUSIC #13
Livingston Taylor
“Don’t Let Me Lose This Dream”

The regular column “CYCLE MUSIC” delivers a short essay each time about bicycles and music. This time, I’d like to introduce the 1996 album “Bicycle” by folk singer-songwriter Livingston Taylor, whose gentle and heartwarming voice, along with his rich guitar sound, leave a lasting impression.

Livingston Taylor, commonly known as “Liv”, is the third of five siblings from the famous Taylor musical family, which includes the renowned James Taylor, Kate Taylor, and Alex Taylor. Since releasing his self-titled debut album in 1970, he has consistently put out new works, and he has also been a professor at the prestigious Berklee College of Music since 1989. That being said, his music leans more towards the simple and unpretentious, rather than academic. Throughout his career, the word “heartwarming” is what describes his music best, making it hard not to feel a deep fondness for it.

His 1996 release “Bicycle”, produced by his long-time collaborator Scott Petito, features a cover illustration by Nobuhiko Yabuki, with a bicycle floating in the sky as its centrepiece. This would capture the heart of any cycling enthusiast, and the title track is truly a wonderful song. Ever since this column began, I’ve always wanted to recommend it at some point.

Furthermore, back in 1996, during the peak of the Free Soul movement that I advocated, I was absolutely thrilled to find that the next track on the album was none other than “Don’t Let Me Lose This Dream”. Free Soul fans will surely understand—at the time (and even now), I couldn’t stop loving and frequently playing this heartfelt masterpiece, a cover of the song known in Japan as “Yume wo Samasanaide”, made famous by Aretha Franklin’s live take and Dusty Springfield’s version. I’m so pleased to have the chance to express the excitement I felt back then, 28 years later.

Livingston Taylor “Bicycle”



♬CYCLE MUSIC STORAGE♬
#01 The Style Council “My Ever Changing Moods”
#02 Cordelia “Play Pretend”
#03 Corinne Bailey Rae “Put Your Records On”
#04 Georgie Fame ”Happiness”
#05 Alulu Paranhos “Bicicletinha”
#06 Motoharu Sano “Angelina”
#07 B.J. Thomas “Raindrops Keep Fallin’ On My Head”
#08 The Smiths “This Charming Man”
#09 Dominic Miller “Bicycle”
#10 NewJeans “Bubble Gum”
#11 Tank and the Bangas “Smoke.Netflix.Chill.”
#12 Kraftwerk “Tour de France”
#13 Livingston Taylor “Don’t Let Me Lose This Dream”
#14 RM “Bicycle”
#15 Norah Jones “Christmas Calling (Jolly Jones)”


Profile

Toru Hashimoto (SUBURBIA)
Editor / Music Selector / DJ / Producer. Founder of Suburbia Factory. Owner of Shibuya’s “Cafe Apres-midi” and “Apres-midi Selecao.” Over 350 compilation CDs, including series like ‘Free Soul,’ ‘Mellow Beats,’ ‘Cafe Apres-midi,’ ‘Jazz Supreme,’ ‘Music With A View,’ and many others, have been curated, making him the world’s foremost selector. He oversees and produces music broadcast channels “usen for Cafe Apres-midi” and “usen for Free Soul” on USEN, wielding significant influence in Japanese music scene since the 1990s. In recent years, his ‘Good Mellows’ series with a focus on mellow chillout has gained great popularity both domestically and internationally.

Art Work_spoken words project

CULTURE
CYCLE MUSIC #09
Dominic Miller
“Bicycle”

Monthly column “CYCLE MUSIC” where essays on bicycles and music are written every time. This time, let’s introduce a song called “Bicycle” by the renowned guitarist Dominic Miller. Born in Argentina to an American father and an Irish mother, Dominic Miller has long been hailed by the media as a “great and gentle storyteller.” Based in London for many years, he now resides in the South of France. However, he is perhaps best known for his illustrious career as Sting’s right-hand man. Sting has praised him as a “colourful architect of sound,” while Paul Simon, with whom he has also collaborated, has lauded his guitar playing as “ […]

#Bicycle
CULTURE
CYCLE MUSIC #07
B.J. Thomas “Raindrops Keep Fallin’ On My Head”

It’s been a year since the passing of Burt Bacharach, the iconic composer of the 20th century. His art of songwriting, characterized by sophisticated yet beautiful melodies and vibrant, stylish arrangements that make full use of “Bacharach Magic” chord progressions and rhythm changes, along with bold and elegant structures, continues to captivate people’s hearts worldwide. His witty and imaginative compositions, combined with urban and deeply resonant lyrics (especially those of Hal David), create a timeless marriage that still resonates with people around the world, transcending generations.

#B.J. Thomas
CULTURE
CYCLE MUSIC #11
Tank and the Bangas “Smoke.Netflix.Chill.”

In last month’s column, I mentioned the DJ party held on 27th April at Cafe Apres-midi. The event brought together the editor and artwork production team of this series, their friends, and even the staff of “Global Ride,” including designers and translators. The atmosphere was filled by good vibes with an array of fantastic music, and it was genuinely a delightful and lively gathering. During the event, our mutual friend and interior designer, Takashi Kobayashi, who runs the architectural firm ima, was spinning records. This month, I’d like to introduce a favourite song of mine that I remembered, “Ah, this one had a bicycle cover too!” They are acclaimed as the best l […]

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