Ever since this column started, when I listen to music, I somehow become conscious of cycling jackets, music videos related to bicycles, titles, and lyrics related to cycling. But when I thought of this song, I was delighted. It’s Georgie Fame’s beloved groovy tune “Happiness.” This song is from the 1971 masterpiece album “Going Home” is known to those in the know, and on the back cover, you can see Georgie Fame wrapped in a boa leather blouson, riding a bicycle.

Alongside “My Ever Changing Moods” by The Style Council, which I introduced in the first installment of this column two months ago, one of the most memorable music videos featuring cycling that comes to mind is “Put Your Records On” by Corinne Bailey Rae, the singer-songwriter born in Leeds, UK, in 1979. I can’t forget the fresh excitement I felt the first time I watched this music video. It was reminiscent of the bittersweet feeling I experienced when I watched early short films by François Truffaut (his films often feature memorable bicycle scenes) during my younger days.

“The Kid With a Bike (Le gamin au vélo)” (2012, directed by the Dardenne brothers) is, as the title suggests, a story centered around a boy and his bicycle. The protagonist is Cyril, a boy living in a Belgian foster care facility. One day, his cell phone with his father suddenly goes offline. When he contacts the apartment manager, they claim that his father has moved away. He can’t believe it. His father wouldn’t just move without telling him. Moreover, his precious means of transportation, his bicycle, is still in his father’s apartment. Cyril runs away from the facility and visits the apartment, but as the manager said, his father has already moved, and there’s no sign of the bicycle. Cyril has been abandoned by his father.

This serial column, which began last month, started with an introduction. In the first installment, I wrote about “My Ever Changing Moods” by The Style Council, a song that accompanied my youth and how cycling made the world more enjoyable. In this second installment, let’s introduce Cordelia, a talented young British female singer-songwriter with a hauntingly beautiful voice, whose debut song was released just this summer.

Occasionally, we come across wonderful Japanese titles for great movies. For example, “An Officer and A Gentleman” becomes ” A Journey of Love and Youth ” in Japan. It’s filled with youth and love. Don’t you want to watch it? The Japanese title for “THE BODY” is ” Stand by Me “. I’m glad I don’t have to say, “You know, River Phoenix had the potential to become a big star even in the time of ‘THE BODY’.” It’s a great title taken from the iconic song by Ben E. King that’s used in the film.

I will be starting a serialized column from this month. Thank you in advance for your support. I hope to deliver essays that make music even more enjoyable with bicycles every month, but for the first installment, let’s start with a self-introduction as well.

In the early 1990s, China had a completely different landscape compared to today. During the morning and evening rush hours, one could witness the famous “bicycle rush hour” that was synonymous with China at the time. Many people used bicycles for commuting, creating a breathtaking sight of thousands of people riding the same roads. Moreover, since most bicycles were of the same model and color, there was a sense of harmony. Brands like “Fenghuang” and “Yongjiu” from Shanghai were quite popular. These bicycles were tough and sturdy, serving as the essential means of transportation to support people’s daily lives.

Bicycle theft. Everyone would want to avoid this worst-case scenario. We carefully select parts and body materials, striving to reduce weight to the gram, yet chain locks for theft prevention weigh 500 grams, which seems counterproductive. Bicycle thieves are unforgivable. They should disappear from this world.