CYCLE MUSIC #06
Motoharu Sano “Angelina”

Happy New Year! To kick off 2024 with the first ‘CYCLE MUSIC,’ let’s introduce a song by a Japanese artist that represents a cornerstone of my life as a music lover, which is fitting for the start of a new year. It’s ‘Angelina’ by Motoharu Sano, a song that marked the beginning of the 1980s and my youth.

This song, released as his debut single in the spring of 1980, had me picturing it with a bicycle jacket right from the start of this series. I’m delighted to have the perfect moment to write about it. During my student days, there’s a nostalgic memory of visiting a store called ‘Akaikutsu’ in Yokohama (where the cover photo for the first album ‘BACK TO THE STREET’ was taken) almost like a pilgrimage to a sacred place due to the jacket photo being shot there.

Motoharu Sano, alongside Paul Weller and others, was one of the most influential artists during my middle teenage years. I remember tuning in every Monday night to his show “Sound Street” on NHK-FM, where I discovered various wonderful music and became engrossed in collecting records. One vivid memory was the cultural festival theme song during my second year of high school, “SOMEDAY,” one of his representative songs from the early days of his career. Singing it with friends in the auditorium at night remains an unforgettable scene from my youth, transcending 40 years without fading from memory.

There are several songs in Motoharu Sano’s repertoire that I adore, but “Angelina” stands out as his debut single that I can’t help but consider the best. Even now, when I listen to it, it grips my heart and touches my soul profoundly. It’s an unforgettable piece that resonates with an exhilarating “Born To Run” sense, overflowing with lyrical sensibilities. The speedy synergy between the lyrics, beat, and melody captivated my younger self like an electric shock. On a side note, personally, I’ve always struggled with singing slow-paced ballads or songs at karaoke, finding them too embarrassing. However, “Angelina” has become a valuable part of my repertoire that I can confidently perform despite those challenges.

Motoharu Sano「Angelina」



♬CYCLE MUSIC STORAGE♬
#01 The Style Council “My Ever Changing Moods”
#02 Cordelia “Play Pretend”
#03 Corinne Bailey Rae “Put Your Records On”
#04 Georgie Fame ”Happiness”
#05 Alulu Paranhos “Bicicletinha”
#06 Motoharu Sano “Angelina”
#07 B.J. Thomas “Raindrops Keep Fallin’ On My Head”
#08 The Smiths “This Charming Man”
#09 Dominic Miller “Bicycle”
#10 NewJeans “Bubble Gum”
#11 Tank and the Bangas “Smoke.Netflix.Chill.”
#12 Kraftwerk “Tour de France”


Profile

Toru Hashimoto (SUBURBIA)
Editor / Music Selector / DJ / Producer. Founder of Suburbia Factory. Owner of Shibuya’s “Cafe Apres-midi” and “Apres-midi Selecao.” Over 350 compilation CDs, including series like ‘Free Soul,’ ‘Mellow Beats,’ ‘Cafe Apres-midi,’ ‘Jazz Supreme,’ ‘Music With A View,’ and many others, have been curated, making him the world’s foremost selector. He oversees and produces music broadcast channels “usen for Cafe Apres-midi” and “usen for Free Soul” on USEN, wielding significant influence in Japanese music scene since the 1990s. In recent years, his ‘Good Mellows’ series with a focus on mellow chillout has gained great popularity both domestically and internationally.

Art Work_spoken words project

CULTURE
CYCLE MUSIC #12
Kraftwerk
“Tour de France”

Ever since this series began, I’ve always thought that if I were to write a column about cycling and music, I would eventually feature Kraftwerk’s “Tour de France” at just the right moment. With their live performance at FUJI ROCK FESTIVAL 2024 now making waves, I feel that now is the perfect time to introduce it. Formed in 1970, the German electronic music group Kraftwerk, known for designing their own album covers and visual images, is a quintessential example of so-called Krautrock (German rock) and a pioneer of techno-pop. They greatly influenced not only YMO but also the British new wave scene, particularly the electro-pop/synth-pop movement known as New Romantic […]

#Kraftwerk
CULTURE
CYCLE MUSIC #13
Livingston Taylor
“Don’t Let Me Lose This Dream”

The regular column “CYCLE MUSIC” delivers a short essay each time about bicycles and music. This time, I’d like to introduce the 1996 album “Bicycle” by folk singer-songwriter Livingston Taylor, whose gentle and heartwarming voice, along with his rich guitar sound, leave a lasting impression. Livingston Taylor, commonly known as “Liv”, is the third of five siblings from the famous Taylor musical family, which includes the renowned James Taylor, Kate Taylor, and Alex Taylor. Since releasing his self-titled debut album in 1970, he has consistently put out new works, and he has also been a professor at the prestigious Berklee College of Music since 1989. That being said, his music l […]

#Bicycle
CULTURE
CYCLE MUSIC #11
Tank and the Bangas “Smoke.Netflix.Chill.”

In last month’s column, I mentioned the DJ party held on 27th April at Cafe Apres-midi. The event brought together the editor and artwork production team of this series, their friends, and even the staff of “Global Ride,” including designers and translators. The atmosphere was filled by good vibes with an array of fantastic music, and it was genuinely a delightful and lively gathering. During the event, our mutual friend and interior designer, Takashi Kobayashi, who runs the architectural firm ima, was spinning records. This month, I’d like to introduce a favourite song of mine that I remembered, “Ah, this one had a bicycle cover too!” They are acclaimed as the best l […]

#Column #Music