CYCLE MUSIC #02
Cordelia
“Play Pretend”


This serial column, which began last month, started with an introduction. In the first installment, I wrote about “My Ever Changing Moods” by The Style Council, a song that accompanied my youth and how cycling made the world more enjoyable. In this second installment, let’s introduce Cordelia, a talented young British female singer-songwriter with a hauntingly beautiful voice, whose debut song was released just this summer.

The song “Play Pretend” is a delightful groovy tune with a hint of introspective mellowness, set to the cool, bossa nova-flavored strumming of the guitar that’s hard not to appreciate. I immediately liked it upon listening. However, when I watched her music video, I couldn’t help but think that it was perfectly timed.

The video combines ever-changing landscapes from different parts of the world with her cycling, creating a striking impression. It beautifully reflects her character as she sings and plays in the landscapes of youthful reverie.


Just like Corinne Bailey Rae appeared riding a bicycle in the music video for “Put Your Records On” in 2006, bringing a sense of newness and sweet excitement, this summer indie pop in 2023 has freshened up and colored the season sweetly.

Text_Toru Hashimoto (SUBURBIA)

Cordelia「Play Pretend」

https://www.youtube.com/watch?v=AYzn7dqh6Jw&list=WL&index=56



♬CYCLE MUSIC STORAGE♬
#01 The Style Council “My Ever Changing Moods”
#02 Cordelia “Play Pretend”
#03 Corinne Bailey Rae “Put Your Records On”
#04 Georgie Fame ”Happiness”
#05 Alulu Paranhos “Bicicletinha”
#06 Motoharu Sano “Angelina”
#07 B.J. Thomas “Raindrops Keep Fallin’ On My Head”
#08 The Smiths “This Charming Man”
#09 Dominic Miller “Bicycle”
#10 NewJeans “Bubble Gum”
#11 Tank and the Bangas “Smoke.Netflix.Chill.”
#12 Kraftwerk “Tour de France”


Profile

Toru Hashimoto (SUBURBIA)
Editor / Music Selector / DJ / Producer. Founder of Suburbia Factory. Owner of Shibuya’s “Cafe Apres-midi” and “Apres-midi Selecao.” Over 350 compilation CDs, including series like ‘Free Soul,’ ‘Mellow Beats,’ ‘Cafe Apres-midi,’ ‘Jazz Supreme,’ ‘Music With A View,’ and many others, have been curated, making him the world’s foremost selector. He oversees and produces music broadcast channels “usen for Cafe Apres-midi” and “usen for Free Soul” on USEN, wielding significant influence in Japanese music scene since the 1990s. In recent years, his ‘Good Mellows’ series with a focus on mellow chillout has gained great popularity both domestically and internationally.

Art Work_spoken words project

CULTURE
CYCLE MUSIC #12
Kraftwerk
“Tour de France”

Ever since this series began, I’ve always thought that if I were to write a column about cycling and music, I would eventually feature Kraftwerk’s “Tour de France” at just the right moment. With their live performance at FUJI ROCK FESTIVAL 2024 now making waves, I feel that now is the perfect time to introduce it. Formed in 1970, the German electronic music group Kraftwerk, known for designing their own album covers and visual images, is a quintessential example of so-called Krautrock (German rock) and a pioneer of techno-pop. They greatly influenced not only YMO but also the British new wave scene, particularly the electro-pop/synth-pop movement known as New Romantic […]

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CULTURE
CYCLE MUSIC #13
Livingston Taylor
“Don’t Let Me Lose This Dream”

The regular column “CYCLE MUSIC” delivers a short essay each time about bicycles and music. This time, I’d like to introduce the 1996 album “Bicycle” by folk singer-songwriter Livingston Taylor, whose gentle and heartwarming voice, along with his rich guitar sound, leave a lasting impression. Livingston Taylor, commonly known as “Liv”, is the third of five siblings from the famous Taylor musical family, which includes the renowned James Taylor, Kate Taylor, and Alex Taylor. Since releasing his self-titled debut album in 1970, he has consistently put out new works, and he has also been a professor at the prestigious Berklee College of Music since 1989. That being said, his music l […]

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CULTURE
CYCLE MUSIC #05
Alulu Paranhos “Bicicletinha”

During my youth, I was captivated by a music style known as Neo-Acoustic, which emerged in the 1980s in Britain as a fruit of post-punk to new wave, influenced by jazz, soul, bossa nova, and Latin, characterized by delicate acoustic pop. It’s been my impression that many record jackets in this style feature motifs of bicycles. Surprisingly, Brazilian music seems to have numerous tracks revolving around bicycles. This month, among them, I’d like to introduce Alulu Paranhos’ ‘Bicicletinha,’ a tune that might appeal to Neo-Acoustic enthusiasts.

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