The Thirty-six Views of Mount Fuji was created by Katsushika Hokusai, a ukiyo-e artist of the late Edo period. As many will know, it is an ambitious series of woodblock prints capturing Mount Fuji in its myriad expressions, which change dramatically depending on the viewpoint and the time of day. In addition to the thirty-six prints indicated by the title, a further ten were later added—likely inspired by the popular Fuji worship (Fujikō) movements among the common people—bringing the total to forty-six works. In August 2025, I am in the midst of a journey to visit all forty-six of these landscapes under my own power.In this installment, I focus on three of them—The New Fields at Ōno in Suru […]

In the final installment of the Hokusai bicycle stroll, I trace the peak of Hokusai’s life and career. From manga and art performances to the “Thirty-Six Views of Mount Fuji” and fascination with Mount Fuji, I’ll explore the areas from Honjo to Asakusa, searching for traces of his legacy. Table of Contents 　1. The Day “Manga” Was Born (50s)　2. The Eccentric Man (60s)　3. The Great Wave (70s)　4. The Man Who Traveled with picture (80s)　5. The buried Giant (90s) The manga artist Akira Toriyama, known for creating “Dragon Ball” and “Dr. Slump,” passed away in 2024, and his death was mourned worldwide. “Manga&#82 […]

Tracing the footsteps of Katsushika Hokusai by bicycle – Part 2 of the short series. This time, we will start with Hokusai in his twenties, when he entered the Katsukawa school and plunged into the world of ukiyo-e. Table of Contents 　1. In the Sumo Town (Ages 20~)　2. Man of the North Star (Ages 30~)　3. Becoming Hokusai, Katsushika Hokusai (Ages 40~) 1. In the Sumo Town (Ages 20~) Hokusai was allowed to use the name Katsukawa Shunro within just one year of entering the Katsukawa school, where he produced ukiyo-e prints (note that he changed his art name over 30 times in his lifetime, but this column will consistently use “Hokusai”).At that time, the motifs of ukiyo-e prints […]

In 1856, the young French printmaker Bracquemond was shown a collection of ceramics by an acquaintance. These ceramics, imported from Japan, a country then closed to foreign relations, would likely have been rare in Western Europe. However, what captured his attention was not the ceramics themselves but their wrapping paper. It was a page from Katsushika Hokusai’s “Hokusai Manga.(Hokusai Sketch)” Impressed by the artwork, Bracquemond went on to obtain a copy of “Hokusai Manga” through great effort and introduced it to his painter friends in Paris, eventually leading to Hokusai becoming widely known across Europe from France. …Unfortunately, the story is sa […]