CYCLE MUSIC #13
Livingston Taylor
“Don’t Let Me Lose This Dream”

The regular column “CYCLE MUSIC” delivers a short essay each time about bicycles and music. This time, I’d like to introduce the 1996 album “Bicycle” by folk singer-songwriter Livingston Taylor, whose gentle and heartwarming voice, along with his rich guitar sound, leave a lasting impression.

Livingston Taylor, commonly known as “Liv”, is the third of five siblings from the famous Taylor musical family, which includes the renowned James Taylor, Kate Taylor, and Alex Taylor. Since releasing his self-titled debut album in 1970, he has consistently put out new works, and he has also been a professor at the prestigious Berklee College of Music since 1989. That being said, his music leans more towards the simple and unpretentious, rather than academic. Throughout his career, the word “heartwarming” is what describes his music best, making it hard not to feel a deep fondness for it.

His 1996 release “Bicycle”, produced by his long-time collaborator Scott Petito, features a cover illustration by Nobuhiko Yabuki, with a bicycle floating in the sky as its centrepiece. This would capture the heart of any cycling enthusiast, and the title track is truly a wonderful song. Ever since this column began, I’ve always wanted to recommend it at some point.

Furthermore, back in 1996, during the peak of the Free Soul movement that I advocated, I was absolutely thrilled to find that the next track on the album was none other than “Don’t Let Me Lose This Dream”. Free Soul fans will surely understand—at the time (and even now), I couldn’t stop loving and frequently playing this heartfelt masterpiece, a cover of the song known in Japan as “Yume wo Samasanaide”, made famous by Aretha Franklin’s live take and Dusty Springfield’s version. I’m so pleased to have the chance to express the excitement I felt back then, 28 years later.

Livingston Taylor “Bicycle”



♬CYCLE MUSIC STORAGE♬
#01 The Style Council “My Ever Changing Moods”
#02 Cordelia “Play Pretend”
#03 Corinne Bailey Rae “Put Your Records On”
#04 Georgie Fame ”Happiness”
#05 Alulu Paranhos “Bicicletinha”
#06 Motoharu Sano “Angelina”
#07 B.J. Thomas “Raindrops Keep Fallin’ On My Head”
#08 The Smiths “This Charming Man”
#09 Dominic Miller “Bicycle”
#10 NewJeans “Bubble Gum”
#11 Tank and the Bangas “Smoke.Netflix.Chill.”
#12 Kraftwerk “Tour de France”
#13 Livingston Taylor “Don’t Let Me Lose This Dream”
#14 RM “Bicycle”
#15 Norah Jones “Christmas Calling (Jolly Jones)”


Profile

Toru Hashimoto (SUBURBIA)
Editor / Music Selector / DJ / Producer. Founder of Suburbia Factory. Owner of Shibuya’s “Cafe Apres-midi” and “Apres-midi Selecao.” Over 350 compilation CDs, including series like ‘Free Soul,’ ‘Mellow Beats,’ ‘Cafe Apres-midi,’ ‘Jazz Supreme,’ ‘Music With A View,’ and many others, have been curated, making him the world’s foremost selector. He oversees and produces music broadcast channels “usen for Cafe Apres-midi” and “usen for Free Soul” on USEN, wielding significant influence in Japanese music scene since the 1990s. In recent years, his ‘Good Mellows’ series with a focus on mellow chillout has gained great popularity both domestically and internationally.

Art Work_spoken words project

CULTURE
CYCLE MUSIC #11
Tank and the Bangas “Smoke.Netflix.Chill.”

In last month’s column, I mentioned the DJ party held on 27th April at Cafe Apres-midi. The event brought together the editor and artwork production team of this series, their friends, and even the staff of “Global Ride,” including designers and translators. The atmosphere was filled by good vibes with an array of fantastic music, and it was genuinely a delightful and lively gathering. During the event, our mutual friend and interior designer, Takashi Kobayashi, who runs the architectural firm ima, was spinning records. This month, I’d like to introduce a favourite song of mine that I remembered, “Ah, this one had a bicycle cover too!” They are acclaimed as the best l […]

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CULTURE
CYCLE MUSIC #12
Kraftwerk
“Tour de France”

Ever since this series began, I’ve always thought that if I were to write a column about cycling and music, I would eventually feature Kraftwerk’s “Tour de France” at just the right moment. With their live performance at FUJI ROCK FESTIVAL 2024 now making waves, I feel that now is the perfect time to introduce it. Formed in 1970, the German electronic music group Kraftwerk, known for designing their own album covers and visual images, is a quintessential example of so-called Krautrock (German rock) and a pioneer of techno-pop. They greatly influenced not only YMO but also the British new wave scene, particularly the electro-pop/synth-pop movement known as New Romantic […]

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