CYCLE CINEMA #07
“Kids Return”
Keep pedaling towards the darkness ahead.

Director Takeshi Kitano’s works are often associated with yakuza films, perhaps due to the influence of movies like “Violent Cop” and “OUTRAGE.” However, looking at his lineup, it’s evident that he has produced a variety of styles, including “A Scene at the Sea,” “Kikujiro no Natsu,” and “Zatoichi,” amidst his violent works. Director Takeshi Kitano, along with comedian Beat Takeshi, is capable of portraying both tranquility and dynamism, representing two extremes. Among his diverse range of works, “Kids Return” (1996), which focuses on boxing, stands out as a unique piece. Depending on the viewer, generation, and background, the interpretation of the main themes, such as sports films, youth dramas, comedies, tragedies, and yakuza films, can vary significantly.

The story is simple. Two delinquent high school students, Masaru (played by Kaneko Ken) and Shinji (played by Andou Masanobu), who lead aimless lives, discover boxing. Masaru, confident in his physical strength, starts first, followed by Shinji. However, it’s Shinji who is discovered to have talent for boxing. Despite spending time together, they begin to walk different paths—one as a boxer and the other as a yakuza. And thus, each embarks on a path toward destruction.

Throughout the play, bicycles play an important role and frequently appear. The two high school students primarily use bicycles as their means of transportation. Every morning, Shinji goes to Masaru’s house and rings the bicycle bell, and then they ride together to school. With no purpose in mind, they aimlessly ride around the schoolyard on their bicycles. Scenes featuring bicycles coincide with the enjoyable times of the two. During their high school days filled with mischief and fights, and during their boxing-focused period, they ride bicycles. As they stop riding bicycles, they begin to decline. After losing everything and fatefully reuniting, they ride bicycles together again, just like in their youth. At that moment, they exchange conversation while riding bicycles.

“Are we done for?”
“You idiot, it hasn’t even started yet.”

It’s not a clear-cut resolution. It’s not a happy ending either. However, in these words, in the sight of riding bicycles, there is redemption. A smooth life isn’t interesting at all. It’s through struggles and hardships that life gains meaning. Like a bicycle that falls if you stop pedaling, but you can always start pedaling again even if you fall. Through the conversation, it seemed like director Takeshi Kitano was saying just that. Keep pedaling.

Text_Hideki Inoue

I am from Amagasaki City, Hyogo Prefecture, Japan. I work as a writer and editor. My hobbies include hot baths, skiing, and fishing. Although I have no personal connection, I am independently conducting research on Shiga Prefecture. I prefer an active fishing style called “RUN & GUN,” which involves moving around actively instead of staying in one place. I am planning to purchase a car to transport my bicycle to adopt this style, which might seem a bit counterproductive.

Illusutration_Michiharu Saotome

CULTURE
CYCLE CINEMA #02
“Project A”
Immerse in an exhilarating bike chase.

In the early 1990s, China had a completely different landscape compared to today. During the morning and evening rush hours, one could witness the famous “bicycle rush hour” that was synonymous with China at the time. Many people used bicycles for commuting, creating a breathtaking sight of thousands of people riding the same roads. Moreover, since most bicycles were of the same model and color, there was a sense of harmony. Brands like “Fenghuang” and “Yongjiu” from Shanghai were quite popular. These bicycles were tough and sturdy, serving as the essential means of transportation to support people’s daily lives.

#Column #Cinema
CULTURE
CYCLE CINEMA #5
“Izakaya Choji”
The coolness of Ken-san riding a bicycle on the slopes of Hakodate.

When I was traveling through Hokkaido by train, there was a peculiar announcement. It warned us to be careful because the name of the next station had changed for a drama shoot. The atmosphere in the train buzzed with excitement. It was a popular drama set in Furano, Hokkaido. The train arrived at the station, but we passed what seemed to be the film crew. Then, in the corner of the platform, I saw a tall man. Even though he had a hat pulled down low, I immediately recognized him as Ken Takakura. Perhaps he had come to visit the filming location of an old friend (Kunie Tanaka). Acknowledging our gaze, Ken-san shyly raised his hand in greeting. It was an overwhelming coolness. Since then, although not from the same generation, I started watching films starring Ken Takakura.

#Column #Cinema