CYCLE CINEMA #08
“PERFECT DAYS”
Life is beautiful, and that is all.

For a certain generation, Wim Wenders is a special figure. During the era when art-house cinemas had a significant cultural impact, his films were considered “must-see movies.” Following the success of “Paris, Texas” (1985) and “Wings of Desire” (1987), Wenders’ works such as “The Goalie’s Anxiety at the Penalty Kick,” “Alice in the Cities,” and “Kings of the Road” were repeatedly re-released. While not necessarily fervent, Wenders’ films were quietly embraced. The influence he has had on contemporary filmmakers and visual artists is immeasurable (film students in Japan were only making road movies in the narrow confines).

In recent years, Wenders has been notable for his work as a documentary filmmaker, but now his narrative films have returned. “PERFECT DAYS” (2023), starring Koji Yakusho, is set in Tokyo. It was selected for the Competition section of the 76th Cannes Film Festival, where Yakusho won the Best Actor award. Additionally, it was nominated for the Best International Feature Film at the 96th Academy Awards. It’s a Wenders celebration. Many longtime fans rushed to theaters, feeling compelled to see it.

The story of “PERFECT DAYS” is simple. Hirayama (a name often seen in Ozu films) , a janitor working in Shibuya, Tokyo, lives a mundane life. He wakes up at the same time every morning, prepares himself in the same way, tends to his plants, and works diligently.

In the film, there are no major events. Hirayama’s daily routine, which seems to repeat the same things every day, takes a slightly irregular turn on his day off. He wakes up a bit later, does the accumulated laundry, and enjoys a drink at his favorite snack bar (with the presence of Mama Sayuri Ishikawa). While he usually travels by car, he uses a bicycle on his day off. The bicycle used in the film is a vintage “Rudge-Whitworth” from England. Hirayama leisurely rides with his laundry in the long basket attached to the bike.

However, why does Hirayama ride such an old bicycle? He owns a car for work and carries a mobile phone (not a smartphone), yet his living space is far from the standard of modern Japan. He doesn’t own a computer, and he listens to music on cassette tapes instead of Spotify. It’s like a world where time stopped long ago. In his world, there is no electric-assist bicycle. He lives each day earnestly, loves the trees, visits public baths, reads books, listens to his favorite music, and rides his familiar bicycle on weekends. That is the essence of perfect days—PERFECT DAYS, one might say. After watching the movie, one might feel like leisurely riding through the neighborhood on a bicycle. Wenders taught us the beauty and transience of everyday life. Everyday life is beautiful, almost too perfect.

🎬CYCLE CINEMA STORAGE🎬
#01 “The Bicycle Thief”
#02 “Project A”
#03 “Shoot for tomorrow!”(origin title “Butch Cassidy and the Sundance Kid”)
#04 “The Kid With a Bike (Le gamin au vélo)”
#05 “Izakaya Choji”
#06 “Cinema Paradiso”
#07 “Kids Return”
#08 “PERFECT DAYS”
#09 “Kramer vs. Kramer”
#10 “E.T.”
#11 “Gachi-Boshi”


Text_Hideki Inoue

I am from Amagasaki City, Hyogo Prefecture, Japan. I work as a writer and editor. My hobbies include hot baths, skiing, and fishing. Although I have no personal connection, I am independently conducting research on Shiga Prefecture. I prefer an active fishing style called “RUN & GUN,” which involves moving around actively instead of staying in one place. Purchasing a car to transport bicycles for this style of cycling seems like putting the cart before the horse.

Illusutration_Michiharu Saotome

CULTURE
CYCLE CINEMA #10
“E.T.”
When I thought I could fly in the sky with my bicycle.

Recent SF movies are challenging. Many people seem to have a basic understanding of “special relativity theory” (somehow), so despite advances in science and technology, the idea of “aliens coming to Earth” is theoretically very difficult. Hence, they appear before Earthlings by incorporating multidimensional narratives like in “Interstellar,” suggesting that time from past to future exists simultaneously like in “Arrival,” or overcoming the three-body problem (unsolvable by humans) like in “The Three-Body Problem.” It’s truly intricate. Depicting aliens in contemporary SF movies has become more complex than before. Filmmakers […]

#Cinema #Colunm
CULTURE
CYCLE CINEMA #02
“Project A”
Immerse in an exhilarating bike chase.

In the early 1990s, China had a completely different landscape compared to today. During the morning and evening rush hours, one could witness the famous “bicycle rush hour” that was synonymous with China at the time. Many people used bicycles for commuting, creating a breathtaking sight of thousands of people riding the same roads. Moreover, since most bicycles were of the same model and color, there was a sense of harmony. Brands like “Fenghuang” and “Yongjiu” from Shanghai were quite popular. These bicycles were tough and sturdy, serving as the essential means of transportation to support people’s daily lives.

#Cinema
CULTURE
CYCLE CINEMA #5
“Izakaya Choji”
The coolness of Ken-san riding a bicycle on the slopes of Hakodate.

When I was traveling through Hokkaido by train, there was a peculiar announcement. It warned us to be careful because the name of the next station had changed for a drama shoot. The atmosphere in the train buzzed with excitement. It was a popular drama set in Furano, Hokkaido. The train arrived at the station, but we passed what seemed to be the film crew. Then, in the corner of the platform, I saw a tall man. Even though he had a hat pulled down low, I immediately recognized him as Ken Takakura. Perhaps he had come to visit the filming location of an old friend (Kunie Tanaka). Acknowledging our gaze, Ken-san shyly raised his hand in greeting. It was an overwhelming coolness. Since then, although not from the same generation, I started watching films starring Ken Takakura.

#Column #Cinema