CYCLE CINEMA #02
“Project A”
Immerse in an exhilarating bike chase.

In the early 1990s, China had a completely different landscape compared to today. During the morning and evening rush hours, one could witness the famous “bicycle rush hour” that was synonymous with China at the time. Many people used bicycles for commuting, creating a breathtaking sight of thousands of people riding the same roads. Moreover, since most bicycles were of the same model and color, there was a sense of harmony. Brands like “Fenghuang” and “Yongjiu” from Shanghai were quite popular. These bicycles were tough and sturdy, serving as the essential means of transportation to support people’s daily lives.

Indeed, bicycles played a significant role in Hong Kong films of that era. They must have been a familiar mode of transportation for the people. One of Jackie Chan’s masterpieces, “Project A” (1983), also featured memorable bicycle scenes.

“Project A” is set in British-ruled Hong Kong, where the police, including Jackie Chan’s character who is part of the Marine Police, are ordered to eliminate pirates. However, they end up teaming up with a cunning thief (Sammo Hung Kam-Bo) to embark on a pirate-busting mission, making it an unbeatable “entertainment” film.

When Jackie is captured by the rival Land Police, he manages to escape by stealing a bicycle. This marks the beginning of a thrilling bicycle chase, with the pursuing police also on bicycles. Jackie navigates through narrow alleys of the old town, using bamboo sticks and ladders as weapons and even employing the bicycle itself to fend off the police, ultimately outwitting them and making his escape.

The scene, lasting only about 3 minutes, is so addictive that you can’t help but watch it repeatedly. Even when revisiting it now, it evokes elements of Chaplin and Keaton’s comedy, combined with precisely calculated timing and breathtaking parkour stunts that leave you in awe.

Back in those days, many children in Asia probably got hurt trying to imitate the action. While we can’t imitate car stunts (that would be illegal), we can certainly try to imitate the bicycle action. These childhood memories might have had an impact on our love for bicycles. When riding through narrow alleys on a bicycle, those joyful memories from the past suddenly come rushing back.

🎬CYCLE CINEMA STORAGE🎬
#01 “The Bicycle Thief”
#02 “Project A”
#03 “Shoot for tomorrow!”(origin title “Butch Cassidy and the Sundance Kid”)
#04 “The Kid With a Bike (Le gamin au vélo)”
#05 “Izakaya Choji”
#06 “Cinema Paradiso”
#07 “Kids Return”
#08 “PERFECT DAYS”
#09 “Kramer vs. Kramer”
#10 “E.T.”
#11 “Gachi-Boshi”
#12 “Yesterday”
#13 “Wadjda”
#14 “The Zone of Interest”
#15 “Anselm”
#16 “Otoko wa Turai yo”


Text_Hideki Inoue

I am from Amagasaki City, Hyogo Prefecture, Japan. I work as a writer and editor. My hobbies include hot baths, skiing, and fishing. Although I have no personal connection, I am independently conducting research on Shiga Prefecture. I prefer an active fishing style called “RUN & GUN,” which involves moving around actively instead of staying in one place. I am planning to purchase a car to transport my bicycle to adopt this style, which might seem a bit counterproductive.

Illusutration_Michiharu Saotome

CULTURE
CYCLE CINEMA #19
“Il Postino”
The Bicycle That Carries Poetry

Southern Italy, the 1950s. For those born on the island, “the outside world” feels impossibly far away. Mario’s friends leave one after another for America, and only postcards make their way back to the island. Beyond the sea, in “America,” they begin entirely new lives. Meanwhile, Mario drifts through his days with a restless frustration he cannot name, skipping work helping his fisherman father with excuses of “feeling under the weather.” His father tells him, “America, Japan—anywhere is fine. Just get a job.” It is reasonable advice. Yet there are places inside a young man that reason alone cannot reach. Mario is searching for something, though he himself does not yet know what it is. One […]

#Cinema #Colunm
CULTURE
CYCLE CINEMA #17
”Kokuho”
Between Beauty and Fear

I once had the chance to interview a Kabuki actor. Waiting in the designated tearoom, I sat formally in seiza and looked out the window. Soon, a figure in kimono appeared, lifting his gaze toward the sky. The scene unfolded like something out of a film. Before long, the actor himself entered the room. Glancing at me, he gently remarked, “You’re not used to sitting that way, are you? Please, stretch your legs.” This actor, recognized as a Living National Treasure, took the time to answer each of my questions with care, even though I knew little about Kabuki. A “Living National Treasure” is the common title given to individuals designated by the Japanese government as bearers of Important Inta […]

#Colunm #Kokuho
CULTURE
CYCLE CINEMA #20
“Linda Linda Linda”
The Bicycle as a Symbol of Everyday Life

There are all kinds of genres in film: period dramas, science fiction, horror, anime. No matter how much of a movie lover you are, there are probably one or two genres you have gradually drifted away from, thinking, “That’s just not for me.” For me, that genre was the coming-of-age film. I went to see Linda Linda Linda (2005) because I was curious about Bae Doona—or perhaps because I was drawn to the music of The Blue Hearts. I honestly don’t remember which. What I do remember clearly is walking into the cinema feeling a little self-conscious, wondering, “Is someone like me really supposed to be here?” But inside, I found a surprisingly diverse audience: middle-aged men from the Blue H […]

#Cinema #Colunm